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  • mgm 바카라 조작

    ANTENNAE

    THE JOURNAL OF NATURE

    IN VISUAL CULTURE

     

     

    SUNSET 47 masthead 5.5.19 copy

    Antennae: The Journal of Nature in Visual Culture

    WHITE GRADIENT 1 Facebook circle white small

    Antennae is a peer-reviewed, non-funded, independent, quarterly academic journal. All rights of featured content of website and PDF publication are reserved. Editor in Chief: Giovanni Aloi. 2017

    Antennae: The Journal of Nature in Visual Culture

    Antennae: The Journal of Nature in Visual Culture

    Antennae: The Journal of Nature in Visual Culture

    Antennae: The Journal of Nature in Visual Culture

    Antennae Issue 29 87 Antennae Issue 29 86 Antennae Issue 29 85

    Antennae: The Journal of Nature in Visual Culture

    Antennae: The Journal of Nature in Visual Culture

    Antennae: The Journal of Nature in Visual Culture

    Antennae: The Journal of Nature in Visual Culture

    Antennae: The Journal of Nature in Visual Culture

    Antennae: The Journal of Nature in Visual Culture

    At a time in which the obscurantism of political leaders and wealthy elites discredits scientific knowledge, the photographic evidence of a black hole stands as a major testament to science’s determination, drive, and ability to ask brave questions and to find answers. This accomplishment is an undeniable proof of the global collaborative spirit necessary to accomplish unthinkable feats and to envision the secret workings of the universe beyond our biological and conceptual boundaries. Unlike other images taken of more familiar celestial bodies, this image is drenched in an existentialist kind of poetic that transcends the purely scientific real. And could this image be considered art at a time in which many artists work like scientists, adopt scientific tools, language, and methodologies to produce their work? as

    2017-12-02 09.40.16

    DOUGFOG GIOVANNIALOI GRAHAMHARMAN CAROLINEPICARD  

    LYNNTURNER

    RONBROGLIO KATHYHIGH JESSICAULLRICH

    HENRIKH?KANSSON ANDREWYANG ERWINDRIESSENS

    MARIAVERSTAPPEN

    KENRINALDO MUSTAFASABBAGH CECILIANOVERO DOROTHYCROSS

    ANGELASINGER

     

     

    CAROL J ADAMS

    SUZANNE ANKER

    JONATHAN BIRTH

    DOROTHY CROSS

    CARSTON HOLLAR

    GARY HUME

    OLEG KULIG

    ROSEMARYTROCCO

    PAULINE OLIVERO

    PETER SINGER

    LOISWAINTERBER

    CARY WOLFE

     

     

     

    Sierra Adler | Giovanni Aloi | Gemma Anderson | Carolyn Angleton | Marnie Benney | Roberta Buiani | Helen J. Bullard Eugenia Cheng | Liz Flyntz | Jonathan Keats Aaron S. Davidson & Melissa Dubbin

    Bettina Forget | Andy Gracie |Byron Rich

    Alex May | Daniela de Paulis | Pei-Ying Lin

    Jenny Rock | Jim Supanick | Margaret Wertheim | Oron Catts & Ionat Zurr  

    AND MANY MORE

    ANTENNAE

    42 cover

    THE JOURNAL OF NATURE

    IN VISUAL CULTURE

    ISSUE 47 — SPRING 2019

    experiment

    After all, so much art from across the globe has been concerned with materializing the invisible—this image accomplishes just that in a way that no other previous one could.

     

    It is in this spirit that the next two issues of Antennae explore the rise of interest in art and science collaborations. This project is co-edited in collaboration with American artist and philosopher Jonathon Keats whose bold experiments have raise serious questions and put into practice his conviction that the world needs more “curious amateurs,” willing to explore publicly whatever intrigues them in defiance of a culture that increasingly forecloses on wonder and silos knowledge into narrowly defined areas of expertise.

     

    A team of scholars and artists has also helped us with the task of selecting some of the most exciting representatives of this ever-growing movement. As always, we would like to thank everyone involved in the making of this issue.

     

     

    IN THIS ISSUE

    DR. GIOVANNI ALOI

    Editor in Chief of Antennae Project

    34 essays and interviews

    featuring key contemporary artists and scholars

    329 pages

    202 illustrations

    ROBERTA BUIANI

    p 12 p148 p 61 p215

    p 148

    p 69

    p 72

    47 COVER quotation

    They were leftover material that no longer drew the attention of the scientist and whose significance was no longer valued by the teacher. Once resuscitated as part of the artwork, they not only immediately reclaimed some long-lost qualities, but they also acquired new meanings, becoming once again part of an inclusive narrative that prolonged and enhanced their lives.

    quotation two 2. squatting

    MICHAEL McCLURE: MEAT THYSELF

    by Stefan Benz

    1. sciart

     

    This essay examines the – seemingly marginal – practice of occupying abandoned and/or neglected spaces (literally “squatting”) within university and institutional space.  MORE >>

     

    The authors argue the importance of under-standing the different forms of art and science interaction, and that precision of terminology matters for recognising respective validities and

    pushing interactions further into common practice.”  MORE >>

     

    From ‘SciArt’ to

    ‘Art Science’

    Text and Images by Jenny Rock

    and Sierra Adler

     

    Squatting for SciArt

    Text and Images by Roberta Buiani

    4. move

     

    Jim Supanic explores the enlistment of the nonhuman animal as a conceptual model in the work of composer Alvin Lucier, and its vestigial presence in the installations of artist James Turrell.  MORE >>

     

    Move as Non-Human

    Migrators...

    By Jim Supanick

    3. catts

     

    In this exclusive interview with Giovanni Aloi, Oron Catts and Ionat Zurr unpack the role played by different cultural institutions, research settings, cultural workers (artists, curators, and critics), popular media, and industry in their dealings with biotechnological artifacts.  MORE >>

     

    Oron Catts and Ionat Zurr:

    Art and the Semi-Living

    Giovanni Aloi interviews Oron Catts

    and Ionat Zurr

     

    An artist reflects on research-based practice, the conception of a special committee Ph.D. in Interdisciplinary Arts and Science at the University of Wisconsin-Madison, and the privileges of working, learning, and teaching at the intersections of disciplines. MORE >>

     

    But You Didn’t Come Here to Tell Stories!

    Text and Images by Helen J. Bullard

    6 stories

     

    Recent works by artists Melissa Dubbin and Aaron S. Davidson engage computing, geology and methods of forming sound. Here they present some thoughts related to their inquiries into stones, metals and data infrastructures.  MORE >>

     

    Metals Have Memory

    Text and Images by Melissa Dubbin

    and Aaron S. Davidson

    5 metals

     

    Byron Rich and Liz Flyntz, the collaborative artist duo responsible for Epicurean Endocrinology, discuss food, gender, sex, product design, environmental degradation, and commun-icating scientific knowledge to non-professional audiences.  MORE >>

     

    Cooking Sex: Products and Porous Bodies

    Marnie Benney Interviews Liz Flyntz and Byron Rich

     

    This article situates the process of artistic enquiry within the realm of molecular biology and new biotechnological practices. Using a research-based format, the artist investigates how variegation is produced in plants and bacterium, and asks if natural biological processes can be artistically echoed, interfered with, and synthetically designed.  MORE >>

     

    In Pursuit of Variegation

    Text and images by Carolyn Angleton

    8 pursuit 7 food

     

    Jonathon Keats has founded the Reciprocal Biomimicry Initiative, a program dedicated to adapting human technologies to benefit other organisms. In this thought-provoking article followed by an interview, Keats provides original opportunties to rethink the world we live in through philosophy and science.  MORE >>

     

    Reciprocal Biomimicry

    Text and images by Jonathon Keats

     

    Pei-Ying Lin main research focuses on the combination of science and human society through artistic methods. She is particularly interested in building a common discussion ground for different cultural perspective regarding elements that construct our individual perception of the world.  MORE >>

     

    Smallpox Syndrome

    Text and images by Pei-Ying Lin

    10a reciprocate 9 vaccine

     

    Dr. Eugenia Cheng talks about the challenges and rewards involved in teaching mathematics to art students and tells us how mathematics can change the world.  MORE >>

     

    Eugenia Cheng:

    The Art of Logic

    By Eugenia Cheng

    12 coral 11 logic

     

    A unique nexus of art, science, geometry, and environmental reflection, Crochet Coral Reef is an ever-evolving archipelago of woolen instal-lations that not only emulates the structures of natural reefs but alsoenacts the evolutionary processes by which living things evolve.

    MORE >>

     

    Crochet Coral Reef

    Giovanni Aloi Interviews Margaret Wertheim

     

    This portfolio of work by Andy Gracie frames the notion of scientific experiment as both performative act in which anticipation and intrigue can play prominent roles, and as producer of new phenomena. MORE >>

     

    Laboratory Life

    Text and Images by Andy Gracie

     

    Algorithmic Photography is an innovative technique developed by artist Alex May, which explores the concepts of motion and time within contemporary digital photography.

    MORE >>

     

    Algorithmic Photography

    Text and Images by Alex May

    13 algorithmic 14 lab life

     

    COGITO in Space is an experiential narrative sending thoughts into outer space as radio waves. The project exists both as a mobile installation and as experiential performative event staged inside the cabin of the Dwingeloo radio telescope in The Netherlands.

     

    COGITO in Space

    Text and Images by Daniela de Paulis

    15 space 16 Goethe

     

    What happens to the scientific process when mathematics is substituted with poetry? The German poet and amateur scientist Johann Wolfgang von Goethe did just that in his quest to formulate his own theory of colour in the book Zur Farbenlehre.

     

    GOETHE'S’s COLOR THEORY:

    OPTICS AND VISUAL POETRY

    Text and Images by Bettina Forget

    17 klee

     

    In this essay, Gemma Anderson advances an original outline of the relationship between Goethe’s concept of morphology and Klee’s art. Central to this is the atypical consideration of certain works by Paul Klee as morphological studies.  

     

    DYNAMIC FORM

    Text and Images by Gemma Anderson

    BROWSE ANTENNAE 47

    p 61

    p 12

    p 215